- #Error 6001 pro tools interface drivers#
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- #Error 6001 pro tools interface pro#
If you are mainly overdubbing single instruments and vocals, editing or mixing, you will need very little I/O as long as you are not using outboard equipment. Even if you have only a single pair of monitor speakers, and mix entirely in the box, you may well find yourself wanting to give separate cue mixes to multiple musicians.Īt the other end of the scale, there are many situations where an interface with just a couple of inputs will be fine. If you are going to be recording large multitrack sessions, it’s worth giving some thought not only to the number of inputs required, but to how many outputs you might need. You will still be able to overdub and mix the resulting sessions on a native system - the limit is on simultaneous I/O, not the number of tracks that can be played back.
#Error 6001 pro tools interface pro#
However, if you only need more than 32 channels of I/O occasionally, consider renting a Pro Tools HD system for those occasions. If you need more than 32 channels of simultaneous I/O then you will need to go to a Pro Tools HD Native or HDX System.
#Error 6001 pro tools interface full#
This doesn’t necessarily mean you shouldn’t consider interfaces that have more than 32 of either, but if you do, be aware that Pro Tools won’t be able to take full advantage of them, and be sure to check that it’s possible for Pro Tools to address any 32 of its inputs and outputs, not merely the first 32 of each. One thing to bear in mind is that with non-Avid interfaces, Pro Tools is limited to 32 simultaneous inputs and the same number of outputs, even if you’re running the HD Standalone version.
It might sound obvious, but the first step on the road is to ask yourself what you need this interface to do.įirst of all, how many inputs and outputs will you need? Getting this right is important, and you should think about how your needs might change in the future - for instance, by making sure that your chosen interface has ADAT digital I/O as well as analogue inputs, so you can easily attach additional mic preamps. Now that Pro Tools users have such a huge field of third-party interfaces to choose from, by contrast, it can be much harder to make the right decision. In the days when we were forced to buy from Avid’s product range, it was usually pretty obvious which interface would best meet our needs. In general I would suggest sticking with the well-known, established manufacturers, and especially those that have a relationship with Avid, such as Focusrite and UA. If you are not sure whether a specific interface is approved for Pro Tools use, check the manufacturer’s web site and in forums like the DUC, to see if there are any reports of issues.
#Error 6001 pro tools interface drivers#
In theory, any interface that has Core Audio (Mac OS) or ASIO (Windows) drivers should work with Pro Tools. So, if you are looking to set up a new Pro Tools system, but you don’t have the need or the budget for an HDX or HD Native rig, the chances are you will need to invest in a third-party interface.
More recently, they have discontinued many of their own audio interfaces - namely, the Avid-branded versions of the Apogee Duet and Quartet - without introducing obvious replacements. When they launched Pro Tools 9 back in 2010, Avid broke the links that tied the native version of their Pro Tools software to their own hardware.
Which audio interface is right for you and your Pro Tools system? If you want to address more than 32 inputs and outputs simultaneously, you’ll need Pro Tools HD with Avid HDX or HD Native hardware.
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